Each week at Platfform we are delving into the workspaces of a series of creative individuals, discovering their unique talents, and providing you with an exclusive insight into their journey.
Watch this space..
Image credit - Mike Harvey
TAXI portrait '£3.06'
Last
Tuesday myself and the editorial team at Platfform had the exciting
opportunity to interview
Mike
Harvey for the forth coming edition of the Vignette edition to be
released in March 2015.
Mike,
a self taught photographer from Swansea in South Wales who
became a taxi driver for four years to fund his love of travel,
hailed a small storm of media interest upon release of his TAXI
photography project, which was taken over a six month period in 2010. The
unusual but fascinating and powerful series of portraits that
Harvey, now
a teacher,
took of his passengers explore the real communities behind people's
assumptions, providing a snapshot in time of people's journeys and
documenting a small snippet of welsh history and culture.
As
Harvey's warm, reassuring welsh accent filled the room, the nerves of
four excited but anxious Fashion Promotion students quickly
dissipated, giving us an insight in to why so many of his passengers
felt completely at ease and natural in opening up and relaxing in to
conversation on their journey with him.
“It
was a philosophical fair ground really. People would bring topics in
to the cab with them, or it was a natural progression of the
journey....there was no limit as to the inspiration that would start
a conversation in a Taxi. Nothing was off bounds”
Harvey's
natural interest and fascination in people started as a young child.
Naturally inquisitive and wanting to
understand people, he
went on to study Human Geography in University, and began the
profession of Taxi driving to fund his love of travel to places such
as Egypt, Brazil, India and Nepal. Looking
under the touristic facade at the culture and the real communities of
these fascinating countries, he began to compare it to what he was
witnessing at home in Neath and Swansea. His
interest in the journeys and stories of his passengers fascinated
him, and it
became a natural progression to start documenting the journeys; and
the TAXI photography project was born.
As
the conversation progressed, the four of us became more drawn in to
Harvey's compelling,
unique story
of his photography journey, his easy going and charming manner
inviting us to ask questions off scope of the interview.
There
is something distinctive about a taxi that is synonymous with
anonymity and comfort, that makes many of us leave our inhibitions at
the curb and divulge our inner most thoughts, secrets and worries
with free abandon, to what is, in essence, a total stranger. The
spontaneity of the situation in which these characters are placed
enables their photographs to exude authenticity and honesty -
something Mike consistently reinforces.
“You
do see so many different little social nuances....
there were so many inspiring moments being in the cab....it
gives you a wider appreciation
of things!”
What
makes Harvey's
portraits so poignant is his ability when the shutter goes down, to
capture that visual representation of his passengers portraying a
small part of their journey, making us attempt to breakdown our
assumptions of
a certain stereotype.
Harvey
has learnt over the years to take photographs with the
motivation to achieve
something, rather than taking a photograph for the
sake of preserving a frame that should be enjoyed through the eye.
In
todays social media obsessed society, photography can take on an
element of delusion, detracting us from the moment and experience
that really matters. “There's a sense of a modern day keeping up
with the Jones” Harvey contemplates. “If
you're to busy looking at others peoples drive, then you're not
concentrating on your own journey”
Read
our interview with Mike Harvey in the new edition of the Platfform
magazine out end of March
Visit Mike Harvey's website to see more of the TAXI photography project here
Visit Mike Harvey's website to see more of the TAXI photography project here
Words Angharad Selway
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